The Assistant (2019 film)
The Assistant (2019 film)
| The Assistant | |
|---|---|
 Theatrical release poster | |
| Directed by | Kitty Green |
| Produced by |
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| Written by | Kitty Green |
| Starring | |
| Music by | Tamar-kali |
| Cinematography | Michael Latham |
| Edited by |
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Production companies |
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| Distributed by | Bleecker Street |
Release date |
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Running time | 87 minutes[1] |
| Country | United States |
| Language | English |
| Box office | $1.3 million[2][3] |
The Assistant is a 2019 American drama film written, directed, produced, and edited by Kitty Green. It stars Julia Garner, Matthew Macfadyen, Makenzie Leigh, Kristine Froseth, Jon Orsini, and Noah Robbins. The film had its world premiere at the Telluride Film Festival on August 30, 2019. It was released on January 31, 2020, by Bleecker Street.
Plot[edit source]
The film takes place over the course of a single day in the life of Jane, a junior assistant who has been working at a film production company in New York City for five weeks. Jane arrives well before dawn and performs various menial administrative tasks. Her job's long hours and demanding tasks keep her busy and incredibly stressed. During a phone call with her mother, Jane learns that she forgot to call her father on his birthday.
As Jane's day progresses, it becomes clear that her boss has been having sex in his office with many younger women and facilitating a culture of sexual harassment at the company. Many of the male executives make snide comments about the boss's affairs while the female executives handle their own workloads and discuss the possibility of transferring to other departments. Whenever Jane does something her boss deems a mistake, he verbally abuses her over the phone as her two male junior assistant coworkers watch silently. Throughout the day, a variety of people from the boss's life interact with Jane, including his wife, his children's nanny, a famous actor, and a group of Chinese film producers.
In the afternoon, a young, inexperienced woman named Sienna arrives from Idaho, saying she has been offered a job as a junior assistant. Jane, concerned for Sienna's well-being, goes to the Human Resources department to file a report after dropping Sienna off at a five-star hotel being paid for by the company. Wilcock, the head of HR, encourages Jane to share her concerns, but later makes it clear that he is turning a blind eye to her harassment claims, before demeaning her, speaking down to her, and stating she is jealous. He also discloses that filing a formal complaint would destroy Jane's career. As Jane leaves his office, he reminds her that she has nothing to worry about as Jane is not the boss's "type". Visibly upset, Jane receives a call from her boss when she returns to her desk. He has been informed about the unfiled report and demands Jane write an email apology addressed to him. He replies saying that he is especially hard on Jane because he knows how great she is.
Towards the end of the day, Sienna arrives at the office so Jane can teach her how to use the phone systems. As night falls, Jane prepares a microwave dinner for herself while other employees leave; her boss stays late in his office with a young actress. He calls Jane on the intercom and tells her to go home. Jane goes to a coffee shop across the street and calls her father as she eats a muffin. After she hangs up, she sees a silhouette in her boss's window appearing to have sex.
Cast[edit source]
- Julia Garner as Jane, a junior assistant at a film production company.
- Matthew Macfadyen as Wilcock, the head of the Human Resources Department at Jane's company.
- Makenzie Leigh as Ruby, an aspiring actress.
- Kristine Froseth as Sienna, a newly hired junior assistant.
- Alexander Chaplin as Max.
- Juliana Canfield as Sasha.
- Dagmara Domińczyk as Ellen.
- Bregje Heinen as Tatiana.
- Clara Wong as Tess.
- Patrick Breen as Roy.
- Jon Orsini and Noah Robbins appear as Jane's fellow junior assistants.
- Purva Bedi portrays an executive assistant and Jane's immediate boss.
- Migs Govea and Daoud Heidami play film executives.
- Patrick Wilson makes an uncredited cameo as an actor.[4]
- Jay O. Sanders voices Jane's unnamed boss, while Tony Torn physically portrays him.
- Manu Narayan voices the boss' driver Amir, while Kirit Kapadia physically portrays him.
- Heather MacCrae voices Jane's mother, and Mark Jakoby voices her father.
Production[edit source]
In September 2018, it was announced Kitty Green would write and direct the film with James Schamus and Scott Macaulay producing under their Symbolic Exchange banner.[5] In December 2018, Julia Garner joined the cast of the film.[6] In April 2019, Matthew Macfadyen, Kristine Froseth, Makenzie Leigh, Noah Robbins and Dagmara Domińczyk joined the cast of the film. Production concluded that same month in New York City.[7]
Release[edit source]
The Assistant had its world premiere at the Telluride Film Festival on August 30, 2019.[8] Shortly after, Bleecker Street acquired distribution rights to the film, and set it for a January 31, 2020, release.[9]
Reception[edit source]
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 92% based on 207 reviews, with an average rating of 7.58/10. The site's critical consensus reads, "Led by a powerhouse performance from Julia Garner, The Assistant offers a withering critique of workplace harassment and systemic oppression."[10] On Metacritic, which assesses films on a score out of 100, The Assistant holds a score of 79 based on reviews from 43 critics, indicating "generally favorable reviews."[11]
Writing for The Guardian, Peter Bradshaw called it "a claustrophobic, intimately unsettling movie" and stated that "it can claim to be the first drama that addresses the #MeToo issue".[12] In a similarly positive review, Moira Macdonald of the Seattle Times lauded Julia Garner's performance and described the film as "[shining] a light on a malevolent shadow". She also complimented it on being "wound taut and perfectly controlled", just like its main protagonist, making for an experience that "feels entirely real".[13] Jeannette Catsoulis of The New York Times viewed the film as "less a #MeToo story than a painstaking examination of the way individual slights can coalesce into a suffocating miasma of harassment" and also noted Garner's lead performance, which she said "makes the slow draining of Jane's soul almost visible".[14] Justin Chang of NPR concluded that "it's the rigorous understatement of The Assistant that makes it so powerful in its vision of how easily the Harvey Weinsteins of the world could exploit their absolute authority for years with little fear of consequence."[15]
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