Fly Me to the Saitama

Fly Me to the Saitama

Fly Me to the Saitama

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Fly Me to the Saitama
Tonde Saitama poster.jpg
Japanese theatrical release poster
Japanese翔んで埼玉
HepburnTonde Saitama
LiterallyFly to Saitama
Directed byHideki Takeuchi
Produced by
  • Hiroki Wakamatsu
  • Shinya Furugori
Written byYuichi Tokunaga
Based onTonde Saitama
by Mineo Maya
Starring
Music byFace 2 Fake
CinematographySohei Tanikawa
Edited byShinji Kawamura
Distributed byToei
Release date
  • February 22, 2019
Running time
107 minutes
CountryJapan
LanguageJapanese
Box office¥3.76 billion (Japan)[1]

Fly Me to the Saitama (Japanese翔んで埼玉HepburnTonde Saitama, stylized as Fly me to the Saitama) is a 2019 Japanese comedy film directed by Hideki Takeuchi, based on the 1980s manga series of the same name written and illustrated by Mineo Maya.[2][3][4] It was released to critical acclaim as received most (12) nominations at the 43rd Japan Academy Film Prize, and won for Director of the YearScreenplay of the Year, and Best Film Editing, as well won for the Best Film at Blue Ribbon Awards.[5] With a gross of $32.8 million it was 13th highest-grossing film of 2019 in Japan.[6]

Plot[edit source]

In present-day Saitama, Aimi and her parents are driving to an engagement ceremony. Aimi's parents are upset that Aimi plans to move to Tokyo after the marriage, because residents of Tokyo have long looked down on residents of Saitama. To avoid arguing, they pass the time by listening to the radio, which is playing a drama about Saitama's fight for independence from Tokyo. The radio drama unfolds as Momomi, the son of the Tokyo governor, finds his social status at school threatened by the arrival of Rei Asama, a handsome male student who has been living in America. Unusually for a sophisticated Tokyo elite, Asama helps the scholarship students from Saitama, who live in poor conditions in a hut located off the main campus grounds.[7]

Momomi falls in love with Rei, but Rei is revealed to be a secret agent of Saitama sent to help achieve independence from Tokyo by infiltrating the Tokyo elite. Rei's true identity is discovered by Momomi's family butler, and Rei flees to return to Saitama and join the independence movement. Momomi joins him after discovering a plot by Tokyo elites to destroy Saitama's resistance. After Rei finds out the identity of his own father, and leads the Saitama forces to a final confrontation with Tokyo forces at the provincial border, Rei and Momomi reveal Momomi's father's plot, removing him from power and achieving independence for Saitama.

Cast[edit source]

Box office[edit source]

In the opening weekend it topped the Japanese box office with $2.33 million.[2] The film had grossed $32.8 million in Japan by May 2019.[8] By the end of 2019, the film had grossed ¥3.76 billion, making it the eighth highest-grossing domestic film of 2019 in Japan[9] and the 13th highest-grossing film of 2019 overall in Japan.[6]

Critical reception[edit source]

It was released to critical acclaim as received most (12) nominations at the 43rd Japan Academy Film Prize, and won for Director of the YearScreenplay of the Year, and Best Film Editing, as well won for the Best Film at Blue Ribbon Awards.[5]

In a 4⁄5 review in The Japan Times, Mark Schilling praised the film for taking a Japan-specific story and making it appealing to international viewers, and singled out lead actress Nikaido's ability to move between serious and humorous moments in her performance of Momori Dannoura.[7]

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