Aladdin (2019 film)
Aladdin (2019 film)
| Aladdin | |
|---|---|
.png) Theatrical release poster | |
| Directed by | Guy Ritchie |
| Produced by |
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| Screenplay by |
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| Based on | |
| Starring | |
| Music by |
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| Cinematography | Alan Stewart |
| Edited by | James Herbert |
Production company | |
| Distributed by | Walt Disney Studios Motion Pictures |
Release date |
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Running time | 128 minutes[5] |
| Country | United States |
| Language | English |
| Budget | $183 million[6] |
| Box office | $1.051 billion[6] |
Aladdin is a 2019 American live-action animated musical fantasy film produced by Walt Disney Pictures. Directed by Guy Ritchie, from a script he co-wrote with John August, it is a live-action adaptation of Disney's 1992 animated film of the same name, which itself is based on the eponymous tale from One Thousand and One Nights.[1][a] The film stars Will Smith, Mena Massoud, Naomi Scott, Marwan Kenzari, Navid Negahban, Nasim Pedrad, Billy Magnussen, and Numan Acar, as well as the voices of Alan Tudyk and Frank Welker, the latter of whom reprises his roles from all previous media. The plot follows Aladdin, a street urchin, as he falls in love with Princess Jasmine, befriends a wish-granting Genie, and battles the wicked Jafar.
In October 2016, Disney announced Ritchie would direct a live-action Aladdin remake. Smith was the first member of the cast to join, signing on to portray Genie in July 2017, and Massoud and Scott were confirmed for the two lead roles later that month. Principal photography began that September at Longcross Studios in Surrey, England, also filming in the Wadi Rum Desert in Jordan, and lasted until January 2018. Additional filming and pick-ups took place in August 2018.
Aladdin was theatrically released in the United States on May 24, 2019. It grossed $1 billion worldwide, becoming the ninth-highest-grossing film of 2019, and the 34th highest-grossing film of all-time. The film received mixed reviews from critics, with praise for its musical score, costume design, humor, and the performances of Smith, Massoud, and Scott, but criticism for Ritchie's direction, Kenzari's casting and the screenplay. A sequel is in development.[7]
Plot
Aladdin, a street urchin in the Arabian city of Agrabah, and his monkey Abu meet Princess Jasmine, who has snuck away from her sheltered life in the palace. Jasmine wishes to succeed her father as Sultan, but is instead expected to marry one of her royal suitors, including the charming yet dimwitted Prince Anders. Jafar, the grand vizier, schemes to overthrow the Sultan and seeks a magic lamp hidden in the Cave of Wonders, but only "the diamond in the rough" can enter the cave.
After sneaking into the royal palace and visiting Jasmine, Aladdin is captured by Jafar. He offers to make Aladdin rich enough to impress Jasmine in exchange for retrieving the lamp, and warns him to take nothing else. Inside the cave, Aladdin frees a magic carpet and finds the lamp, but Abu cannot resist touching some treasure and causes the cave to collapse. Aladdin gives the lamp to Jafar, who double crosses and kicks him and Abu into the cave, but Abu steals the lamp back.
Trapped in the cave, Aladdin rubs the lamp, unwittingly summoning the omnipotent Genie inside, who explains that he has the power to grant Aladdin three wishes. Aladdin gets them out of the cave without using a wish on a technicality: Aladdin did not rub the lamp in the first place as he stated the wish. Determined to woo Jasmine, he uses his official first wish to become a prince, and promises to use his third wish to free the Genie from servitude and turn him human.
Aladdin makes an extravagant arrival at Agrabah as Prince Ali of Ababwa, but fails to impress Jasmine. Posing as Aladdin's human attendant, the Genie is mutually smitten with Dalia, Jasmine's handmaiden. Aladdin and Jasmine bond when he takes her on a ride on the magic carpet. Tricked into revealing his true identity, he lies to her, saying that he actually is a prince and dressed like a peasant to explore Agrabah.
Jafar discovers Aladdin's identity and throws him into the palace moat, knowing that if he survives, it will prove he has the lamp. The Genie saves Aladdin, at the cost of his second wish. Aladdin returns to the palace and destroys Jafar's magic staff, ending his spell over the Sultan and exposing his plot, and Jafar is imprisoned. The Sultan allows Aladdin to marry Jasmine. Aladdin decides to save his final wish, aware that he will lose Jasmine if the truth unfolds, much to the Genie's disappointment.
Freed by his scarlet macaw sidekick, Iago, Jafar steals the lamp and becomes the Genie's new master. He uses his first wish to become sultan, but Jasmine reminds the palace guards of their true loyalty, turning them against Jafar. Using his second wish to become the world's most powerful sorcerer, Jafar exposes Aladdin and exiles him and Abu to a frozen wasteland, then threatens to kill the Sultan and Dalia unless Jasmine agrees to marry him. At the wedding, Jasmine seizes the lamp and escapes with Aladdin and Abu, who were rescued by the magic carpet. Pursued by Iago, whom Jafar briefly transforms into a roc, they are recaptured, destroying the magic carpet in the process.
Aladdin taunts Jafar for being second in power to the Genie, goading him into using his last wish to become "the most powerful being in the universe", and the Genie transforms Jafar into an even more powerful genie. This traps Jafar inside his own lamp, dragging Iago with him, and the Genie banishes them to the Cave of Wonders. Aladdin keeps his promise and uses his last wish to free the Genie, allowing him to live as a human. The Sultan crowns Jasmine the new sultana-regnant, no longer bound to marry a prince, and she and Aladdin marry. The Genie marries Dalia and they start a family and explore the world together.
Cast
- A comical and kindly jinn who has the power to grant three wishes to whoever possesses his magic lamp. Smith said that he was "terrified" while playing the character, but that "[he] found a lane that pays homage" to Robin Williams' performance in the original animated film, while still making the role "[his] own thing."[8] Smith described the character as "both a trickster and a mentor," who tries "to guide Aladdin to the truth of the greatness that's already within him."[1] Smith physically portrays the character when he is in the guise of a human, while his giant blue genie form is CGI, portrayed through motion-capture performance.[9][10]
- An impoverished but kind-hearted Agrabah thief and street urchin who is in love with Princess Jasmine. Massoud said that Aladdin "sees a future for himself that's greater than what's been set out for him at the present moment. He doesn't know exactly what it is or how he's going to get there, but he knows it is out there," and felt the character is very selfless and usually does things for other people, but as he falls in love he loses himself a little bit and starts to become someone that he's not. But he's a good person with good intentions and has good people surrounding him who lead him back to where he's supposed to be."[1]
- The Sultan's daughter and the feisty princess of Agrabah who wants to have a say in how she lives her life. Scott said that the character "will be strong and have fun, but also get it wrong and be emotional. She's a multidimensional woman, and she does not have to just be one thing. So in this movie, you see her go on such a roller coaster, as opposed to her one goal being to escape the loneliness of royalty and find a companion." She further stated that Jasmine will try to find "the courage to speak out for her people,"[11] and said that "Jasmine wants to know what goes on in her kingdom and reconcile the distance that has been created, and Aladdin gives her the courage to do just that."[1]
- A nefarious, deceptive, power-hungry sorcerer and the Grand vizier of Agrabah who, frustrated with the Sultan's ways of ruling, devises a plot to overthrow him as the ruler of Agrabah by acquiring the Genie's lamp. Jafar's backstory is explored in the film, which producer Jonathan Eirich felt would make the audience "understand why he's so bad," as "that's what makes him such a good villain."[1]
- The wise and noble ruler of Agrabah who is eager to find a capable husband for his daughter Jasmine. On playing the character, Negahban said that it was "very scary because [the Sultan] has so many followers. Lots of people grew up with that character, so they have certain expectations. It's not just an animated character. This has become a real personality, a real persona."[12] He further stated that "after I read the script, I felt that re-watching the original will pollute my vision of the live-action character. In the new Aladdin, the Sultan has more depth and is not a caricature of a father. But I will let you judge it for yourself."[13]
- Jasmine's loyal handmaiden and confidante. Pedrad said that Dalia "[has] been by Jasmine's side for years and really looks out for her". Dalia is the only new character from the main cast.
- The head of the palace guards who is loyal to the Sultan of Agrabah, as his father worked for the Sultan as a palace servant.
- A market trader. Wadia describes her appearance as "More of a cameo" as extra footage was needed after filming had wrapped.[15]
- Jafar's sardonic and intelligent scarlet macaw companion.[16] The film marks the first time that Gilbert Gottfried has not voiced the character. In this film, Iago is portrayed as a more realistic bird. However, he still retains his sardonicism and loyalty to Jafar.
- Abu, Aladdin's kleptomaniac but loyal pet Tufted capuchin.[17][18][19]
- Rajah, Jasmine's loyal and protective pet Bengal tiger.
- The Cave of Wonders, a sand guardian who guards the magic lamp from intruders and only gives to someone who's worthy, "a diamond in the rough". Out of the three roles, this is the only one for which Welker receives credit.
Additionally, Tayliah Blair and Jordan A. Nash respectively play Genie and Dalia's daughter and son, Lian and Omar. Also, Robby Haynes portrays Razoul, a palace guard.[20]
Production
Development and casting
On October 10, 2016, it was announced that Guy Ritchie would direct a live-action Aladdin film for Walt Disney Pictures, with John August writing the script and Dan Lin and Jonathan Eirich attached as producers. The studio said that the film would be "an ambitious and nontraditional" take on the tale of Aladdin that would keep the musical elements of the original film. On the nontraditional aspect, the studio had originally planned for the film to be told in a nonlinear format.[21][22]
In February 2017, Lin said that they were looking for a diverse cast and that they would not try "to make Prince of Persia."[23] A worldwide casting call for the lead roles of Aladdin and Princess Jasmine commenced in March 2017, with principal production set to take place in the UK from July 2017 until January 2018.[24] On April 19, 2017, it was reported that either Gabriel Iglesias[25] or Will Smith were in talks to play Genie, for which the latter was confirmed in July.[26][27][28] In May 2017, Little Mix member Jade Thirlwall was in talks for the part of Princess Jasmine.[29]
On July 11, 2017, it was announced that principal production on Aladdin had been pushed back by a month, to August 2017, due to struggles in finding the right actor to portray the titular role. Over 2,000 actors and actresses had auditioned for the roles of Aladdin and Jasmine, but finding a male lead of Middle Eastern or Indian descent in his 20s, who could act and sing, had proven difficult for the producers. Naomi Scott and Tara Sutaria were the final two actresses in the running for the role of Jasmine, but neither could be cast until a chemistry test was done with whomever would be cast as Aladdin. The studio was initially interested in Dev Patel or Riz Ahmed for Aladdin, but later decided to cast a relative newcomer.[27] Achraf Koutet, Mena Massoud and George Kosturos were among the actors being tested for the role.[27] Two musical film veterans, Marc Platt (who would serve as executive producer) and Chris Montan, were consulted before a final decision was made.[27]
At the 2017 D23 Expo, on July 15, it was announced that Massoud would star as Aladdin and Scott as Jasmine, ending the four-month long open casting call.[28][30] On July 17, 2017, it was announced that Disney had hired Vanessa Taylor to polish the original screenplay by August, specifically some "character work" and what is called "script doctoring."[31] Meanwhile, Richie and the studio focused on casting the other main roles with filming slated to start in August in London.[32] In August, Dutch actor Marwan Kenzari joined the cast as Jafar, with Nasim Pedrad cast in a newly created role as "a hand maid and friend of Jasmine" who serves as a "comic relief." Numan Acar was set to play Hakim.[33][34] The following month, Billy Magnussen joined the cast in a newly created role as Prince Anders, alongside Navid Negahban as the Sultan.[35][36] In November 2017, Robby Haynes was cast as Razoul, while Frank Welker was announced to reprise his role as Abu the monkey.[37]
When asked about Ritchie's take on the film, Pasek & Paul described it as "very muscular and action-packed."[38][39][40] On December 20, 2018, Gilbert Gottfried said that he was not asked to reprise his role as Iago, Jafar's pet parrot.[41] In March 2019, it was announced that Alan Tudyk would voice the character instead.[16] In May 2019, Welker was announced as reprising his role as Rajah, Jasmine's pet tiger,[42] and the trailer had confirmed that Welker would reprise his role as the Cave of Wonders as well.
Filming
Principal photography began on September 6, 2017, at Longcross Studios in Surrey, England, and wrapped on January 24, 2018.[43][44][45][46] Part of the film was shot in Wadi Rum Desert, Jordan.[47][48] The Royal Film Commission provided support to the production during filming and assisted in facilitating logistics. Reshoots took place during August 2018.[49] The film's production sets were designed by Game of Thrones production designer Gemma Jackson.[50] The "Prince Ali" musical sequence features 1,000 dancers and extras.[51] Smith frequently improvises throughout the film. Massoud also revealed that there was a whole scene, where Prince Ali and Genie meet the royal family for the first time, that was improvised by the cast.[52]
Controversies
The decision to hire Scott, the daughter of an English father and a Gujarati Ugandan-Indian mother, to play the lead of Princess Jasmine, also drew criticism, as well as accusations of colorism, as some commentators expected the role to go to an actress of Arab or Middle Eastern origin.[53] In December 2018, Julie Ann Crommett, Disney's Vice President of Multicultural Engagement, said the decision to cast Scott as Jasmine reflected the mixing or association of different cultures in the broad region that consists of the Middle East, South Asia and China by extension – all of which make up the Silk Road.[54] She stated that Agrabah is intended to be the center of the Silk Road, and added that Jasmine's mother would be from a land that was not Agrabah.[54]
The decision to cast Magnussen as a new white character, original to the film, drew criticism from fans and commentators. They deemed it "unnecessary" and "offensive," accusing the film of whitewashing, whilst also pointing out the irony regarding the worldwide search for actors and actresses to play the leads in connection to the controversy.[55][56][57]
In January 2018, it was reported that white extras were being applied brown make-up during filming in order to "blend in," which caused an outcry and condemnation among fans and critics, branding the practice as "an insult to the whole industry" while accusing the producers of not recruiting people with Middle-Eastern or North African heritage. Disney responded to the controversy saying, "Diversity of our cast and background performers was a requirement and only in a handful of instances when it was a matter of specialty skills, safety and control (special effects rigs, stunt performers and handling of animals) were crew made up to blend in."[58][59]
Post-production
The visual effects were provided by Industrial Light & Magic and supervised by Michael Mullholland, Daniele Bigi and David Seager, with the help of Hybride Technologies, DNEG, Nzviage and Proof.[60]
Music
Alan Menken was brought in to compose the score for the film, after doing so for the original animated film. Pasek & Paul wrote a new song with Menken, and several songs from the original film by Menken, Howard Ashman, and Tim Rice were featured in the remake.
Release
Aladdin held its world premiere at the Grand Rex in Paris, France on May 8, 2019.[61][62] It was released in 3D, Dolby Cinema, IMAX 3D and 4DX by Walt Disney Studios Motion Pictures on May 24, 2019, replacing the original release date set for Star Wars: The Rise of Skywalker. The film was originally going to be released on December 20, 2019. But on September 12, 2017, the film was moved to May 24, 2019.[63][64]
Aladdin's first regional premiere was in Jordan on May 13, 2019,[65] in the presence of Prince Ali bin Hussein and Princess Rym Ali.
Marketing
Will Smith debuted the first official poster on October 10, 2018.[66] The teaser trailer was released the following day.[67] In December 2018, Entertainment Weekly offered a first official look at the cast in costume on the cover of their issue for the most anticipated films of 2019.[68] On February 10, 2019, Disney debuted a special sneak peek of the film during the 61st Annual Grammy Awards, which was met with largely negative feedback from audiences, primarily due to the quality of the CGI Genie in his blue design, created via motion capture effects.[69][70][71] The negative reception sparked a large amount of memes and Photoshop edits mocking Will Smith's appearance in the sneak peek, several of which compared it with Tobias Fünke (from Arrested Development) painted in blue in an attempt to join the Blue Man Group.[72][73] On March 12, 2019, Disney debuted a second trailer on Good Morning America. The trailer had a much more positive reception than the previous one, as it featured several songs from the original film and more of Smith not entirely in motion-capture. His CGI scenes received better notices, as well, although it was still mostly criticized by some critics when the film was released.[74][75]
Home media
Aladdin was released in Digital HD for download and streaming on August 27, 2019, and was released on Ultra HD Blu-ray, Blu-ray, and DVD on September 10.[76]
Aladdin made its streaming debut on Disney+ on January 8, 2020. With the launch of Disney+Hotstar on April 3, 2020;[77] it was released in India in multiple languages.[78]
Reception
Box office
Aladdin grossed $356.6 million in the United States and Canada, and $695.1 million in other territories, for a worldwide total of $1.051 billion, against a production budget of $183 million.[6] The film crossed the $1 billion mark on July 26, 2019, becoming the 41st film to ever reach the milestone.[79][80] Deadline Hollywood calculated the net profit of the film to be $356 million, when factoring together all expenses and revenues.[81]
In the United States and Canada, Aladdin was released alongside Booksmart and Brightburn, and was projected to gross around $80 million from 4,476 theaters over its four-day opening weekend over Memorial Day. While Disney was projecting a $75–85 million debut, some independent trackers had the film opening to as low as $65 million or as high as $100 million.[82][83] The film made $31 million on its first day, including $7 million from Thursday night previews, the second-best total of the Disney live action remakes.[84] The film ended up overperforming, grossing $91.5 million in its three-day opening weekend,[85][86][87][88] and $116.8 million over four days during the extended Memorial Day frame.[89][90][91][92] It was the third biggest opening of 2019 at the time (behind Avengers: Endgame and Captain Marvel),[93][94] and the fifth-highest Memorial Day launch ever, as well as the best debut of Ritchie's career and second best of Smith's.[89][95][96] The film then grossed $11.9 million on its fifth day, the biggest post-Memorial Day Tuesday ever.[97] In its second weekend, the film made $42.3 million, finishing second, behind newcomer Godzilla: King of the Monsters, and then made $24.7 million in its third weekend, finishing third.[98][99] It retained the third-place position at the box office during its fourth and fifth weekends with $17.3 million and $13.2 million, respectively.[100][101]
Worldwide, the film was expected to open to an additional $100–120 million, including $10–20 million in China.[102] It went on to gross $123.2 million from foreign territories in its three-day opening weekend, for an overall global debut of $214.7 million. It was the number-one film in every Latin American and Asian territory where it was released. Its biggest international openings were in China ($18.7 million), Mexico ($9.2 million), the United Kingdom ($8.4 million), Italy ($6.6 million), and South Korea ($6.5 million).[103] It also won the second best opening of 2019 in Italy, Spain,[103] Indonesia, and Vietnam.[104] In India, it debuted with ₹220 million (US$3.1 million),[105] the year's third best opening for a foreign film (behind Avengers: Endgame and Captain Marvel).[104] By Monday, the film had a global four-day launch of $255 million.[97] In its second weekend of international release the film made $78.3 million from 54 countries, remaining number one in 32 of them.[106] In its fourth international weekend, Aladdin remained number one in twenty countries.[107] By the end of June 2019, the film surpassed Independence Day (1996) to become the highest-grossing film of Will Smith's career.[108] As of 19 August 2019, the film's top five international markets are Japan ($110.1 million), South Korea ($90.4 million), China ($53.5 million), the United Kingdom ($46.4 million), and Mexico ($32.5 million).[109]
It topped the UK box office for four weeks.[110] In the Middle East, it had the best Ramadan opening ever in the United Arab Emirates and Jordan,[103] and went on to become the highest-grossing release of all time in the Middle East.[111] In Japan, the film debuted with $12.9 million, the year's highest opening weekend for a foreign film, surpassing Avengers: Endgame.[112] As of September 2019, it is the year's second highest-grossing film in Japan (behind Weathering with You), and one of the top 20 highest-grossing films ever in Japan.[113] In South Korea, it grossed over $82 million from over 11.4 million ticket sales as of July 2019, making it the year's third highest-grossing film and second highest-grossing foreign film in South Korea,[114] as well as the third highest-grossing foreign film ever in South Korea and the highest grossing Disney film ever (not including the MCU) in the country.[115]
Critical response
On review aggregation website Rotten Tomatoes, the film holds an approval rating of 57% based on 362 reviews with an average rating of 5.88/10. The site's critical consensus reads, "Aladdin retells its classic source material's story with sufficient spectacle and skill, even if it never approaches the dazzling splendor of the animated original."[116] On Metacritic, the film has a weighted average score of 53 out of 100 based on 50 critics, indicating "mixed or average reviews."[117] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while those at PostTrak gave it an overall positive score of 90% (with an average 4.5 stars out of 5) and a 70% "definite recommend."[89]
Writing for the Chicago Sun-Times, Richard Roeper gave the film 3 out of 4 stars, praising Smith, Scott, and Massoud's performances and calling it a "shining, shimmering live-action update."[118] Variety's Peter Debruge summarized his review with, "Will Smith steps into Robin Williams's shoes, bringing fresh attitude to the role of the Genie in Guy Ritchie's high-risk, mostly rewarding live-action remake."[119] A Mir Fantastiki review by Yevgeniy Peklo gave the film a score of 8/10, saying it was "probably the best Disney live-action remake up to date."[120]
Despite praising the cast, William Bibbiani of TheWrap said of the film, "If you don't think about it very hard (although you probably should), the remake of Aladdin might entertain you. But you'd be a heck of a lot more entertained by watching the original film again. Or by going to a real-life parade. Or by doing some light gardening. Or by doing a crossword puzzle."[121] Chris Nashawaty of Entertainment Weekly gave the film a C+, lamenting that it did not add anything new to its 1992 animated predecessor; he felt that the film was unable to update the original's questionable Middle Eastern characterizations, but nevertheless praised the performances of Smith and Scott.[122] Mark Kennedy of the Associated Press wrote that "Guy Ritchie... was always an odd choice to helm a big Disney romantic musical and proves utterly the wrong guy here. Aladdin, in his hands, is more like The Mummy than Frozen."[123]
Accolades
| Award | Date of ceremony | Category | Recipient(s) | Result | Ref(s) |
|---|---|---|---|---|---|
| Teen Choice Awards | August 11, 2019 | Choice Movie – Sci-Fi/Fantasy | Aladdin | Won | [124] |
| Choice Sci-Fi/Fantasy Movie Actor | Will Smith | Won | |||
| Mena Massoud | Nominated | ||||
| Choice Sci-Fi/Fantasy Movie Actress | Naomi Scott | Won | |||
| Choice Movie Villain | Marwan Kenzari | Nominated | |||
| Choice Song From A Movie | "A Whole New World" (End Title) | Won | |||
| Saturn Awards | September 13, 2019 | Best Fantasy Film | Aladdin | Nominated | [125] |
| Best Supporting Actor | Will Smith | Nominated | |||
| Best Supporting Actress | Naomi Scott | Nominated | |||
| Best Director | Guy Ritchie | Nominated | |||
| Best Production Design | Gemma Jackson | Nominated | |||
| Best Editing | James Herbert | Nominated | |||
| Best Music | Alan Menken | Nominated | |||
| Best Costume Design | Michael Wilkinson | Won | |||
| Best Special Effects | Aladdin | Nominated | |||
| Hollywood Music in Media Awards | November 20, 2019 | Best Original Song – Feature Film | "Speechless" – Alan Menken, Benj Pasek and Justin Paul | Nominated | [126] |
| National Film & TV Awards | December 3, 2019 | Best Actor | Will Smith | Nominated | [127] |
| Mena Massoud | Nominated | ||||
| Best Newcomer | Nominated | ||||
| Best Actress | Naomi Scott | Nominated | |||
| Best Supporting Actress | Nominated | ||||
| Best Director | Guy Ritchie | Nominated | |||
| Austin Film Critics Association | January 6, 2020 | Best Motion Capture/Special Effects Performance | Will Smith | Nominated | [128] |
| Critics Choice Awards | January 12, 2020 | Best Song | "Speechless" – Alan Menken, Benj Pasek and Justin Paul | Nominated | [129] |
| Costume Designers Guild Awards | January 28, 2020 | Excellence in Fantasy Film | Michael Wilkinson | Nominated | [130] |
| Visual Effects Society Awards | January 29, 2020 | Outstanding Created Environment in a Photoreal Feature | Daniel Schmid, Falk Boje, Stanislaw Marek, Kevin George ("for Agrabah") | Nominated | [131] |
| Outstanding Special (Practical) Effects in a Photoreal or Animated Project | Mark Holt, Jay Mallet, Will Wyatt, Dickon Mitchell (for "Magic Carpet") | Nominated | |||
| Art Directors Guild Awards | February 1, 2020 | Excellence in Production Design for a Fantasy Film | Gemma Jackson | Nominated | [132] |
| Golden Raspberry Awards | March 16, 2020 | The Razzie Redeemer Award | Will Smith | Nominated | [133] |
| Billboard Music Awards | October 14, 2020 | Billboard Music Award | Aladdin | Nominated | [134] |
"Speechless", a new original song written for Jasmine, was shortlisted for the Academy Award for Best Original Song at the 92nd Academy Awards, but was ultimately not nominated.[135][136]
Future
Sequel
On August 12, 2019, producer Lin announced his enthusiasm for a sequel and revealed that Disney is in the early stages of developing a follow-up.[137] The studio also hopes to bring back Ritchie to direct and Smith to reprise his role as The Genie while also telling a story that's "fresh and new".[138][139][140][141][142] He later stated that if they would make a sequel to Aladdin, it would not be a direct adaptation of the animated films The Return of Jafar or Aladdin and the King of Thieves but could borrow elements of them. It was also told that they would look at various sources for the sequel's story.[143] On February 12, 2020, Variety officially confirmed that a sequel is in development, with John Gatins and Andrea Berloff set to write the script. Lin and Eirich will return as producers, and Massoud, Smith, and Scott will reprise their roles. The sequel had been officialized once the producers had a good story and knew their path ahead for Aladdin 2.[144][145]
Possible prequel
A year before deciding to remake Aladdin, Disney made an announcement in 2015 that it would make a live-action prequel to the aforementioned film above under the title Genies. The new film was reported to focus on genies and their realm and reveal how Aladdin's genie ended up in the lamp. Writers Mark Swift and Damian Shannon were hired to write the script, while Tripp Vinson was to serve as a producer under his Vinson Films banner.[146] No further announcements of the project have been announced as of November 2020.
Spin-off film
On December 6, 2019, it was announced that a spin-off film focused on Prince Anders was in development for Disney+ with Jordan Dunn and Michael Kvamme writing the script and Magnussen reprising his role.[147]
See also
Notes
- ^a b Aladdin and the Magic Lamp was authored by Hanna Diyab,[2][3] and was added to the One Thousand and One Nights by Antoine Galland, appearing in his French translation Les mille et une nuits.[4]
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